EMMY
Entertainment Feature, “Hot Shots”
Documentary, “Glasnost On The Gulf”
Promotional Spot Announcements/Campaign-Station Image, “Keep It On 10”
Best Camera Promotion, “Ten Taxi”
PSA, “The Winners Circle”

EMMY(NOMINATED)
Promotional Spot Announcements, “Live, and Local, Late Breaking”
Best Camera Documentary, “Mission To Guatemala”
Best Camera Promotion, “Working Harder For You”

THE NEW YORK FILM FESTIVAL
Int’l TV Programs (World Medal), “Keep It On 10”
Int’l TV Programs (Finalist). “Taxi/Eye Team”

RADIO & TELEVISION NEWS DIRECTORS ASSOCIATION
Best Documentary, “Druzba A Citizens Summit”

SOCIETY OF PROFESSIONAL JOURNALIST
Spot News “Killer Surrenders”
Entertainment Feature, “Knife Maker”
TV Feature Photography. “Hot Shots”
Finalist: “ Television Photography ”

NATIONAL PRESS PHOTOGRAPHER ASSOCIATION
1st Place Feature Photography, “Knife Maker”
1st Place Feature Photography, “Hot Shots”
1st Place Spot News “Runner”
1st Place Spot News “Knife Maker”
1st Place In Depth Series, “Mission Guatemala”

FLORIDA MOTION PICTURE AND TELEVISION ASSOCIATION

Crystal Reel Award - "Red Bird" - Award in Cinematography

HOUSTON COMEDY FILM FESTIVAL

"Frat Party" - Award in Cinematography

Los Angles Times

Loren Cass

By Dennis Lim

As in a Larry Clark film, parental figures are ineffectual and barely glimpsed. Fuller seems to prize mood over exposition, images over words (the impressive 16mm cinematography is by William Garcia).

Full Article

Variety

Loren Cass

By Robert Koehler

Fuller receives enormous assistance from talented d.p. William Garcia, whose Super 16 images fulfill the suggestion of a line describing St. Petersburg as "a dirty, dirty town by a dirty, dirty sea." Jimmy Morey's score furthers the queasy vibe.

Full Article

New York Times

Loren Cass

By Nathan Lee

Shooting on 16-millimeter film with wide-angle lenses, the cinematographer William Garcia floods the images with rich color and deep shadows, expertly evoking the endless, worn-out sprawl of St. Petersburg.

Full Article